POWERHOUSE ANNOUNCES Paradise Camp by Yuki Kihara

POWERHOUSE ANNOUNCES Paradise Camp by Yuki Kihara



Powerhouse has announced the Australian premiere of Paradise Camp by Yuki Kihara; co-commissioned by Powerhouse and Creative New Zealand, and curated by Professor Natalie King OAM. Paradise Camp garnered international acclaim at the 2022 Aotearoa New Zealand pavilion at the 59th La Biennale di Venezia. Opening 24 March 2023 at Powerhouse Ultimo, the exhibition will feature new works created in response to the museum’s collection.

An interdisciplinary artist of Japanese and Sāmoan descent, Yuki Kihara’s work interrogates and dismantles gender roles, (mis)representation and colonial legacies in the Pacific. She was the first Pasifika, Asian and Fa’afafine (Sāmoa’s ‘third gender’) artist to represent Aotearoa New Zealand at La Biennale di Venezia.

Kihara created Paradise Camp after recognising Sāmoa and aspects of the Fa’afafine community in Paul Gauguin’s post-impressionist paintings, which she was first introduced to when presenting a solo acquisitive exhibition at New York’s Metropolitan Museum of Art in 2008.

Paradise Camp comprises 12 tableau photographs featuring a cast and crew of 100 people in Sāmoa, repurposing and upcycling Gauguin paintings. Reflecting on the injuries of colonialism and patriarchal structures by presenting a renewed worldview that is open, inclusive and humorous, each image has a depth of meaning related to the impact of colonialism on the Fa’afafine community and Western misconceptions of the Pacific.

Shot and filmed on location in Upolu Island, Sāmoa, Kihara’s performative photography is presented against a vast wallpaper of a landscape decimated by the 2009 tsunami. Works include Fonofono o le nuanua: Patches of the rainbow (After Gauguin) featuring a group of Fa’afafine models from the Aleipata Fa’afafine Association who were among the first responders to the tsunami posing riverside. Inspired by the faleaitu (house of spirits) skits performed in Sāmoan culture, Kihara also casts herself as Gauguin in Paul Gauguin with a hat (After Gauguin), transformed via silicone prosthetic and costume

The exhibition also features First Impressions: Paul Gauguin, a five-part talk-show series comprising a group of Fa’afafine commenting wittily on select Gauguin paintings. ‘Vārchive’ – a term coined by Kihara that uses the Sāmoan concept of Vā to describe her relationship with her archive of research – includes personal research, rare books by 19th century explorers, colonial portraits, pamphlets, news items, a geological sculpture and activist material to provide never before seen visual links between Gauguin and Sāmoa.

For Paradise Camp, Kihara will complete an eight-week creative residency at Powerhouse Ultimo and undertake community engagement, including with First Nations artists. The exhibition will feature new works created in response to the museum’s collection, several of which will be on display at the time of opening, with a second activation planned for August 2023.

‘I’m inspired by the Powerhouse Museum’s Pacific collections and look forward to presenting new works as part of the Paradise Camp exhibition that questions the idea of modernism as a singular Western heteronormative phenomenon,’ artist Yuki Kihara said.

‘Following on from presenting Paradise Camp to 485,079 visitors at the Venice Biennale, it’s timely to exhibit Kihara’s ensemble exhibition in Sydney with its focus on some of the most urgent issues of our times including intersectionality, small island ecologies and environmental crises,’ curator Natalie King said.

‘Powerhouse is thrilled to present the Australian premiere of Paradise Camp. Yuki Kihara is an incredible artist whose provocative and engaging work was one of the standout exhibitions at this year’s Venice Biennale. We look forward to seeing Kihara’s unique artistic response to the Powerhouse’s collection and sharing this internationally acclaimed exhibition with Australian audiences,’ Powerhouse Chief Executive Lisa Havilah said.

A companion publication has been published by Thames & Hudson, edited by Natalie King, featuring international commissions exploring the interwoven strands running through Kihara’s Paradise Camp.

Check out Yuki Kihara: Paradise Camp for yourself if you’re in or around Sydney from the 24th of March to form your own impressions.


Feature image creditThree Fa‘afafine (After Gauguin), 2020 by Yuki Kihara from Paradise Camp series. Courtesy of Yuki Kihara and Milford Galleries, Aotearoa New Zealand.


Paradise Camp by Yuki Kihara, Curated by Natalie King 
Where: Powerhouse Ultimo, 500 Harris St, Ultimo NSW 2007
When: 24 March 2023 – December 2023
Entry: Free, no registration required


Sasha Haughan | sasha@articulatepr.com.au | 0405 006 035
Siân Davies | sian@articulatepr.com.au | 0402 728 462
Kym Elphinstone | kym@articulatepr.com.au | 0421 106 139

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